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Classical concerts featuring
Matthew Brook

Overview

Quick overview of musician Matthew Brook by associated keywords

CitiesFrequently performs in

Amsterdam
The Netherlands
Amsterdam
2
Utrecht
The Netherlands
Utrecht
2
Berlin
Germany
Berlin
1
The Netherlands
Den Haag
1
Naarden
The Netherlands
Naarden
1

ProgramFrequently performs

Johann Sebastian Bach
Works by
Johann Sebastian Bach
7
Georg Friedrich Händel
Works by
Georg Friedrich Händel
1

MusiciansFrequently collaborate with

Musician
Richard Egarr
12
Musician
Guy Cutting
6
Musician
Reginald Mobley
6
Musician
Rowan Pierce
6
Musician
Academy of Ancient Music
1

New Arrivals

These concerts featuring Matthew Brook became visible lately at ConcertPulse.

Artistic depiction of the event

Jurriën Hamer about power

Sat, Feb 22, 2025, 11:00
TivoliVredenburg, Grote Zaal (Utrecht)
Netherlands Bach Society, Richard Egarr (Harpsichord), Richard Egarr (Leader), Rowan Pierce (Soprano), Reginald Mobley (Alto), Guy Cutting (Tenor), Matthew Brook (Bass), Jurriën Hamer (Writer), Maud Vanhauwaert (Poet), Lex Bohlmeijer (Presenter)
Churches are gradually emptying, yet everyone still needs moments of contemplation. Reflect with Bach is just such a moment. For each edition, the unconventional Flemish poet Maud Vanhauwaert, presenter Lex Bohlmeijer and the Netherlands Bach Society are joined by a different writer and thinker, to explore the universal themes of life and offer tranquillity through the music of Johann Sebastian Bach. Today’s theme is: power. With: Jurriën Hamer.In this Reflect with Bach, philosopher, lawyer and writer Jurriën Hamer reflects on the theme of power. His story is interwoven with parts of three cantatas by Bach that form the base for his magnum opus, the Mass in B Minor. Jurriën Hamer studied law and philosophy at Utrecht University. In 2022, he published his first book: ‘ Waarom schurken pech hebben en helden geluk: een nieuwe filosofie van de vrije wil’ (Why Villains Always Lose and Heroes Win: a new philosophy of free will). As a writer, speaker and moderator, he shows how philosophical ideas about justice, guilt and free will have a huge influence on our lives, in an accessible, humorous and inspiring way.This concert is part of the series Reflect with Bach.Please note: the spoken language of this series is Dutch.
Info & Ticket (www.bachvereniging.nl)

Upcoming Concerts

Concerts featuring Matthew Brook in season 2024/25 or later

February 22, 2025
Artistic depiction of the event

Jurriën Hamer about power

Sat, Feb 22, 2025, 11:00
TivoliVredenburg, Grote Zaal (Utrecht)
Netherlands Bach Society, Richard Egarr (Harpsichord), Richard Egarr (Leader), Rowan Pierce (Soprano), Reginald Mobley (Alto), Guy Cutting (Tenor), Matthew Brook (Bass), Jurriën Hamer (Writer), Maud Vanhauwaert (Poet), Lex Bohlmeijer (Presenter)
Churches are gradually emptying, yet everyone still needs moments of contemplation. Reflect with Bach is just such a moment. For each edition, the unconventional Flemish poet Maud Vanhauwaert, presenter Lex Bohlmeijer and the Netherlands Bach Society are joined by a different writer and thinker, to explore the universal themes of life and offer tranquillity through the music of Johann Sebastian Bach. Today’s theme is: power. With: Jurriën Hamer.In this Reflect with Bach, philosopher, lawyer and writer Jurriën Hamer reflects on the theme of power. His story is interwoven with parts of three cantatas by Bach that form the base for his magnum opus, the Mass in B Minor. Jurriën Hamer studied law and philosophy at Utrecht University. In 2022, he published his first book: ‘ Waarom schurken pech hebben en helden geluk: een nieuwe filosofie van de vrije wil’ (Why Villains Always Lose and Heroes Win: a new philosophy of free will). As a writer, speaker and moderator, he shows how philosophical ideas about justice, guilt and free will have a huge influence on our lives, in an accessible, humorous and inspiring way.This concert is part of the series Reflect with Bach.Please note: the spoken language of this series is Dutch.
Info & Ticket (www.bachvereniging.nl)
February 23, 2025
Artistic depiction of the event

Bach at his finest

Sun, Feb 23, 2025, 14:00
Theater De Lievekamp, Grote Zaal (Oss)
Richard Egarr (Harpsichord), Richard Egarr (Leader), Rowan Pierce (Soprano), Reginald Mobley (Alto), Guy Cutting (Tenor), Matthew Brook (Bass)
Which work did Bach regard as his finest? There’s a good chance it might have been the Mass in B Minor. This programme presents the foundations of this masterpiece: three cantatas that Bach used at the end of his life, in the Mass in B Minor.The originals of what is maybe the very finest of Bach’s work“For example, the ‘Patrem omnipotentem’ originated from Gott, wie dein Name, so ist auch dein Ruhm, the ‘Osanna’ from Preise dein Glücke, gesegnetes Sachsen, and the ‘Agnus Dei’ from Lobet Gott in seinen Reichen. Richard Egarr leads the ensemble in these originals of what is maybe the very finest of Bach’s work. Egarr is a true specialist in early music, with his roots in English choral music. He likes to approach the music as if he is discovering it on the spot. Fresh and flowing, with a starring role for the vocals.
Info & Ticket (www.bachvereniging.nl)
February 25, 2025
Artistic depiction of the event

Bach at his finest

Tue, Feb 25, 2025, 20:15
TivoliVredenburg, Grote Zaal (Utrecht)
Richard Egarr (Harpsichord), Richard Egarr (Leader), Rowan Pierce (Soprano), Reginald Mobley (Alto), Guy Cutting (Tenor), Matthew Brook (Bass)
Which work did Bach regard as his finest? There’s a good chance it might have been the Mass in B Minor. This programme presents the foundations of this masterpiece: three cantatas that Bach used at the end of his life, in the Mass in B Minor.The originals of what is maybe the very finest of Bach’s work“For example, the ‘Patrem omnipotentem’ originated from Gott, wie dein Name, so ist auch dein Ruhm, the ‘Osanna’ from Preise dein Glücke, gesegnetes Sachsen, and the ‘Agnus Dei’ from Lobet Gott in seinen Reichen. Richard Egarr leads the ensemble in these originals of what is maybe the very finest of Bach’s work. Egarr is a true specialist in early music, with his roots in English choral music. He likes to approach the music as if he is discovering it on the spot. Fresh and flowing, with a starring role for the vocals.
Info & Ticket (www.bachvereniging.nl)
February 26, 2025
Artistic depiction of the event

Bach at his finest

Wed, Feb 26, 2025, 20:15
Muziekgebouw aan 't IJ, Grote Zaal (Amsterdam)
Richard Egarr (Harpsichord), Richard Egarr (Leader), Rowan Pierce (Soprano), Reginald Mobley (Alto), Guy Cutting (Tenor), Matthew Brook (Bass)
Which work did Bach regard as his finest? There’s a good chance it might have been the Mass in B Minor. This programme presents the foundations of this masterpiece: three cantatas that Bach used at the end of his life, in the Mass in B Minor.The originals of what is maybe the very finest of Bach’s work“For example, the ‘Patrem omnipotentem’ originated from Gott, wie dein Name, so ist auch dein Ruhm, the ‘Osanna’ from Preise dein Glücke, gesegnetes Sachsen, and the ‘Agnus Dei’ from Lobet Gott in seinen Reichen. Richard Egarr leads the ensemble in these originals of what is maybe the very finest of Bach’s work. Egarr is a true specialist in early music, with his roots in English choral music. He likes to approach the music as if he is discovering it on the spot. Fresh and flowing, with a starring role for the vocals.
Info & Ticket (www.bachvereniging.nl)
February 27, 2025
Artistic depiction of the event

Bach at his finest

Thu, Feb 27, 2025, 20:15
Grote Kerk Naarden (Naarden)
Richard Egarr (Harpsichord), Richard Egarr (Leader), Rowan Pierce (Soprano), Reginald Mobley (Alto), Guy Cutting (Tenor), Matthew Brook (Bass)
Which work did Bach regard as his finest? There’s a good chance it might have been the Mass in B Minor. This programme presents the foundations of this masterpiece: three cantatas that Bach used at the end of his life, in the Mass in B Minor.The originals of what is maybe the very finest of Bach’s work“For example, the ‘Patrem omnipotentem’ originated from Gott, wie dein Name, so ist auch dein Ruhm, the ‘Osanna’ from Preise dein Glücke, gesegnetes Sachsen, and the ‘Agnus Dei’ from Lobet Gott in seinen Reichen. Richard Egarr leads the ensemble in these originals of what is maybe the very finest of Bach’s work. Egarr is a true specialist in early music, with his roots in English choral music. He likes to approach the music as if he is discovering it on the spot. Fresh and flowing, with a starring role for the vocals.
Info & Ticket (www.bachvereniging.nl)
February 28, 2025
Artistic depiction of the event

Bach at his finest

Fri, Feb 28, 2025, 20:15
Amare, Amare Concertzaal (Den Haag)
Richard Egarr (Harpsichord), Richard Egarr (Leader), Rowan Pierce (Soprano), Reginald Mobley (Alto), Guy Cutting (Tenor), Matthew Brook (Bass)
Which work did Bach regard as his finest? There’s a good chance it might have been the Mass in B Minor. This programme presents the foundations of this masterpiece: three cantatas that Bach used at the end of his life, in the Mass in B Minor.The originals of what is maybe the very finest of Bach’s work“For example, the ‘Patrem omnipotentem’ originated from Gott, wie dein Name, so ist auch dein Ruhm, the ‘Osanna’ from Preise dein Glücke, gesegnetes Sachsen, and the ‘Agnus Dei’ from Lobet Gott in seinen Reichen. Richard Egarr leads the ensemble in these originals of what is maybe the very finest of Bach’s work. Egarr is a true specialist in early music, with his roots in English choral music. He likes to approach the music as if he is discovering it on the spot. Fresh and flowing, with a starring role for the vocals.
Info & Ticket (www.bachvereniging.nl)
April 8, 2025
Artistic depiction of the event

Akademie für Alte Musik Berlin, RIAS Kammerchor Berlin

Tue, Apr 8, 2025, 19:00
Konzerthaus Berlin, Großer Saal (Berlin)
Akademie für Alte Musik Berlin, RIAS Kammerchor Berlin, Justin Doyle (Conductor), Elisabeth Breuer (Soprano), Anna Lucia Richter (Mezzo-Soprano), Patrick Grahl (Tenor), Thomas Hobbs (Tenor), Matthew Brook (Bass), Stephan Loges (Bass)
Really old and extremely lively: For many seasons now, the Akademie für Alte Musik Berlin has been demonstrating how thrilling music from the 17th to the early 19th century can sound in its own series at the Konzerthaus Berlin.Bach's „St Matthew Passion“ was premiered for the second time in 1829 - in the Singakademie building in Berlin, which is now home to the Maxim Gorki Theatre. The conductor was Felix Mendelssohn-Bartholdy, who was only twenty years old. He paved the way for a Bach renaissance with the version he arranged and shortened. In the era of Viennese Classicism, Bach's music had simply hardly ever been performed. The Passion, however, which was first presented to the congregation of St Thomas' Church in Leipzig in 1727, is one of the most haunting musical depictions of the story of the crucifixion.
Info & Ticket (www.konzerthaus.de)